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Carbon Printing - Re-introducing a "aristocrat" of all the historical processes to the hands of contemporary photographers |
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 Kevin Martini-Fuller |
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| Description: | This weekend workshop is dedicated to experiencing the making of a carbon print. The Carbon Process was developed in the 1860's and is recognized for it's wonderful tonal range and exquisite details in low values. The carbon print is a direct transfer process where the initial image is transferred to a final support paper. The workshop will cover, making the carbon tissue, sensitizing the tissue, making the print and transferring the image. Students are expected to bring the appropriate negatives since the carbon print is a contact print process; the size of the negative dictates the size of the final print. | ||||
| Schedule: |
One-weekend workshop Saturday & Sunday, 9 am - 5 pm December 8 & 9 |
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| Materials needed: |
Negatives for making prints (medium format and larger) Other the materials will be provided during the workshop |
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| Prerequisite: | Photographic Vision I or portfolio review | ||||
| Fee: | $350+ lab fee of $50 | ||||
| Enrollment: | Limited to 8 | ||||
| Deadline: | November 30 | ||||
| Instructor: | Kevin Martini-Fuller: Over 25 years he has been active in developing and expanding his talent and sharing his knowledge with others through his teaching. His area of expertise and passion is in historical photographic processes, specifically photogravure and carbon/carbro printing. Kevin divides his time between teaching, producing new work, and creating portfolios. Two new portfolios, "The Idaho years, 1975-1990", and "Studio closed every Friday" are scheduled to be released soon. He currently lives, teaches photography, and pursues his creative photographic interests in Philadelphia, Pennsylvania. | ||||
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